Jeanette Micklem - Orchesetral Repertoire

Jeanette Micklem

Repertoire - Orchestral

Ms Micklem has a broad repertoire spanning 18 composers and 27 different works and a number of world premieres. Several pieces, including contemporary Zimbabwean music, have been specifically written for her.

Composer

Title

Opus

BACH

Concerto in D minor

BARTOK

Concerto No. 3

BEETHOVEN

Concerto No. 1 in C major

Opus 15

Concerto No. 3 in C minor

Opus 37

Concerto No. 4 in C minor

Opus 37

Concerto No. 5 in E flat major

Opus 73

Triple Concerto

Opus 56

BRAHMS

Concerto No. 1 in D minor

Opus 15

CHOPIN

Concerto No. 1 in E minor

Opus 11

GERSHWIN

Rhapsody in Blue

HAYDN

Concerto in D major

HUMMEL

Piano Concerto in A minor

Opus 85

MOZART

Concerto in A major

K 414

Concerto in E flat major

K 449

Concerto in A major

K 488

Concerto in D minor

K 466

PLESKOW, Raoul

Six Fancies on Pictures of Klee *

PROKOFIEV

Concerto No. 3 in C major

Opus 16

RENAN, Paul

"Mwari Mukuru" * 1

Mbira Chorale 2

"Antiphonies"*3

SAYLOR, Bruce

A Scattering of Salts *

SAINT-SAENS

Concerto No. 2 in G minor

Opus 22

SCHUMANN

Concerto in A minor

SHOSTAKOVICH

Concerto No. 1

Opus 35

Concerto No. 2

Opus 102

TURINA

Rapsodia Sinfonica

VAUGHAN WILLIAMS

Fantasia on the "Old 104th" Psalm tune

1. Mwari Mukuru "(This piece) .. is created around a Shona song which presented me with a basic aesthetic problem - namely the danger of "idolizing" an art form that was different from my own. I wanted to achieve unity in two ways; firstly through a serial approach in which the song became the material of the piece as a whole.... Secondly, the song itself was to remain intact so that not only would the conflicting elements of the piece by their mutual juxtaposition, but the song itself would be an authentic representation of the original..." (Paul Renan)	2. Mbira Chorale "The Mbira Chorale from its name alone suggests a musical conception that simply arises from the use of a meeting of two distinct musical genres, different not only in period but also in conception. A European Chorale is fixed in time whilst the music of the mbira is cyclic. "...My relationship to any exotic music is devoid of anthropological significance but based purely on the sound it makes. Many would call such synthesis of cultural perception post-modern, but unlike post-modern music, it does not defy necessary logic nor does it quote music from other traditions..." (Paul Renan)
3. Antiphonies: Concerto for Piano and Orchestra First performed at the North Central College, Naperville, Illinois with the duPage Symphony Orchestra.