
Jeanette Micklem was born in South Africa, but moved to Zimbabwe with her family at an early age. Educated in Zimbabwe, she was awarded scholarships for both academic and musical pursuits, and has an Honours degree in History from London University . Having achieved Performer Licentiate diplomas in both flute and piano from the British Royal Schools of Music, she was awarded a four year scholarship at the Royal College of Music in London, studying under pianist Bernard Roberts.
Jeanette returned to Zimbabwe and made her name as a performer, an accompanist and teacher. She has performed throughout Zimbabwe, as well as in South Africa, Botswana, Zambia and Malawi. She has partnered many international artistes in this region including Pierre Amoyal, Hagai Shaham, Tasmin Little, Ivry Gitlis and Nokuthula Ngwenyama (strings), Alain Marion, Wissam Boustany, Susan Milan and Emma Johnson (winds). Most recently she has accompanied New York mezzo-soprano Barbara Fusco, Spanish tenor Alvaro Vallejo, and South African 'cellist Peter Martens. She has also appeared at the Grahamstown Music Festival (with Pierre Amoyal), with the SABC Symphony Orchestra, and the Pietermaritzburg Orchestra as well as music societies in Johannesburg, Cape Town, Durban and other centres.
In 1988 Jeanette toured Bulgaria, Czechoslovakia, and Russia (playing with the
Moscow Chamber Orchestra
). Since then she has returned regularly to the Czech Republic and was a permanent member of the jury for the International Smetana Piano Competition for over a decade.
In 1990, Jeanette was invited to play with Musica Viva of New York. In celebration of the 10th Anniversary of Zimbabwe's Independence, she played in Paul Renan's "Mwari Mukuru", a work for mbira, piano, orchestra and chorus - a world premiere which was performed in New York. Since then she has been a regular soloist with
Musica Viva
playing works ranging from Mozart to Vaughan Williams, Bruce Saylor and Shostakovich. She has also performed in Canada and in Chicago where she premiered Paul Renan's piano concerto "Antiphones". She has given piano recitals in Maryland, Virginia, Connecticut, and on Long Island. A more recent innovation has been her multi-media presentations on Zimbabwe and its music for a number of universities, schools and music societies.
In 1998 Jeanette visited Australia and New Zealand where she broadcast live with orchestra from Melbourne and performed the Beethoven's last three sonatas. She also gave this performance in Oxford's Holywell Music Room, along with other performances in England . She has given radio performances in Australia, Bulgaria, the Czech republic, and in South Africa. Jeanette has appeared regularly for HIFA (Harare International Festival of the Arts) and also for the
Bulawayo Music Festival. She has worked with mbira players Ephat Mujuru and Dumisani Maraire, both fellow Zimbabweans, at HIFA and in New York.
She is a member of the Board of the Zimbabwe College of Music where she also chairs the Academic Committee and, as a teacher, her pupils have won competitions both locally and internationally. |
New York Concert Review - Summer 2004
Musica Viva of New York: Mozart, Piano Concerto - K595
"Written at the peak of his compositional mastery, for
himself to perform in what became his final public concert, it
is a miracle of melodic, rhythmic and harmonic inspiration; the
modulation into the development section of the first movement is
breathtaking. The slow movement sings in heavenly serenity, the
Finale, based on one of his own songs, bubbles over with joy and
high spirits. Ms Micklem, who is based in Harare, Zimbabwe but
tours internationally, was making her sixth appearance with
Musica Viva. She is a fine pianist; her technique is solid and
effortless, her tone is remarkably full, warm and rich, and she
played with great style and expressiveness."
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Prague
Beethoven, Sonata in C, opus 53 "...played with profound musical feeling, in excellent control of the keyboard."
"...The Finale was interpreted with a great deal of virtuosity."
(Hudebni Rozhledy/Prague) |
The East Hampton Star, New York
Art and Freedom: Reflections of a Zimbabwean Pianist, Through Images, Poetry and Music... "The passion reflected in her playing gave evidence of the immediacy and strength of her commitment to the music and to the land she loves. She is a pianist to be reckoned with and to whom more people should be listening."
(David Swickard, March 8, 2007) |
The East Hampton Star, New York
Africa and the Old World... "The audience was privileged to hear not only a flawless rendition of Mozart's Sonata in D and Brahms' Six Pieces (Op.118), but also Poulenc, Ravel, and a piano sonata by the Argentinean composer Alberto Ginastera."
..."The audience could not get enough of this gifted and open hearted pianist, who took them from the Old World to the New in this wide ranging selection from the past three centuries"
(Pamela Knight, April 24, 2008)
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